Greville Smyth Pine etching of a Scots Pine tree in black and white with cream chine colle washi paper by British Contemporary Printmaker and artist Fiona Hamilton
Black ink etching of a tall pine tree with detailed branches and needles by contemporary British artist and printmaker Fiona Hamilton.

Fiona Hamilton

Bristol based Fine Art Original Printmaker inspired by the natural world and the environmental sublime.

Next Exhibitions & Workshops

Coming Soon: Small But Mighty
RE Royal Society of Painter Printmakers
Bankside Gallery, London
18th - 28th September 2025

Coming Soon: Misprints! Letterpress Workshop
Spike Print Studio, Spike Island, 133 Cumberland Road, Bristol BS1 6UX
Tuesday 28th October 2025, 10am - 4pm
More info and book here

About Fiona

Fiona Hamilton is an artist and printmaker exploring the ecological sublime and an appreciation of the majesty of nature. She uses etching, lithography and natural tones of chine collé to draw the viewer into an ethereal landscape, that has an impact on our sense of place in relation to the natural world.

Fiona’s current body of work is informed by the work of forest ecologist Suzanne Simard, author of ‘Finding the Mother Tree’. Simard explores how trees communicate through mycorrhizal fungi to exchange water, nutrients, and warn of impending danger.

Fiona works from and teaches printmaking processes, including lithography and letterpress, at Spike Print Studio, Bristol. She has an MA in Multi-Disciplinary Printmaking from UWE , Bristol and BA in Graphic Fine Art (Printmaking) from Canterbury.

Autumn Light Drypoint Etching Art Print Autumn Light Drypoint Etching Art Print
Autumn Light Drypoint Etching Art Print
£285.00
Autumn Pine Drypoint Etching Art Print Autumn Pine Drypoint Etching Art Print
Autumn Pine Drypoint Etching Art Print
£195.00
Winter Chestnut Drypoint Etching Art Print
Winter Chestnut Drypoint Etching Art Print
£175.00

Studio Snapshots

  • A large etching print of a tree with yellow leaves and dark branches on white paper, on an etching press in an art studio.

    'Golden Oak' first impression on the Hunter Penrose

  • A printmaking press with paper and ink blocks on a wooden table, in an art studio with windows and storage drawers in the background.

    'Underfoot' stone lithograph series on press

  • Silhouette of leafless trees with bird nests and mistletoe against an orange sky.

    'Mistletoe' screen print for SPS

  • Etching of two black and white photographs of tree trunks resting on large sheets of paper on a white table, with an etching press in the background.

    'Winter Chestnut' on the Rochat press

  • Black and white detail of an etching of a tree.

    'Westonbirt Oak' etching detail in studio

  • A woman operating a printing press in an industrial workshop.

    Proofing wood engraving and letterpress on the Gem